Learning Activities and Lesson Plans

Learning Locally

Need Inspiration? Local Learning activities and lesson plans use the inquiry and research process of folklore and education, as well as content that is culturally inclusive. We add new resources often and announce them on Facebook. Follow us there for updates! We invite you to share your favorite Learning Locally activities with us there.

Filter by Class Subject:

Filter by Theme:

Filter by Research Topic:

Activities and Lesson Plans

This curriculum guide explores the relationship arts education and teaching with primary sources that come out of ethnographic documentation and often feature folk and traditional arts.
Paying attention to a cultural element like bread tells us about ourselves as well as others. Think about bread broadly—from matzo to pancakes, tortillas to crackers! Here are some activities to do on your own or with others to find art in your daily life.
This learning guide was developed for the Festival of Iowa Folklife at the Smithsonian, but is full of learning activities that can be adapted for a variety of places. One lesson plan is available as a download, or you may find the full guide online.
Kids are natural collectors, piling up treasures like seashells and Pokémon cards. Likewise, museum curators deal with many types of collections, from paintings to train engines. Curators organize collections for public exhibits, showcasing what they have learned about objects. By thinking like a curator, how would you organize one of your collections for a home museum?
From song lyrics to predictions, we use weather lore every day. Have you ever worn your pajamas inside out in hope of a snow day? What sayings do you use to predict the weather? Do you have stories about storms or rainbows or really hot days? This activity looks at a variety of ways we are all folk meteorologists.
When we identify and protect our important ways of life and cherished places that make up our cultural ecosystem, we strengthen vital relationships to each other and the wider world.
“Have you ever flown a kite?” Sometimes, a simple question can be an entry into profound learning. In this residency, students not only learned about the craftsmanship required to create a kite that is visually pleasing and capable of flying, but they also learned about the kite’s cultural significance in Afghanistan. By inviting artist Ahmad Shah Wali into the classroom, students learned firsthand how art and design contribute to quality of life within a culture, including their own.
“My students had been under the impression that culture was something that other people had but was not applicable to them. I was excited to see students analyze their own lives and consider (some of them for the first time) how their culture shapes their beliefs and values.” - Cathryn Lally, 9th grade English Language Arts teacher, New York
Some of the most creative artist residencies come out of unexpected classroom collaborations. Not only does this set of lesson plans create connections between beekeeping and the art room, it also demonstrates how art can be a pathway to social emotional learning. Art teacher Sarah Edwards and guidance counselor Nina Muto worked with the Southern Tier Beekeepers Association to help students discover how they can work towards unity and community while still embodying their individuality.
Folk artists are often invited into a classroom to demonstrate their art form and sometimes have the opportunity to teach students artistic skills. Less often they are given an opportunity to speak with students about the value of the art form in their personal life and community context. This lesson plan, created for three short artist residencies over the course of a semester, provided the space for student inquiry that allowed them to connect with the artist on a personal level and learn more about their cultural traditions.
An art teacher pondered how a classical Indian dancer would fit into her high school sculpture curriculum. As she and the artist talked, the idea of gestures, mudras, as sculptural expressions took hold. Folk arts are inherently interdisciplinary, making traditional art forms, ways of teaching and learning, and artists’ passions easy to integrate into most content areas and engaging for all ages. No matter the genre, learners can answer, Where is something like this in my life?
What happens when you bring students out of the classroom and into a working artists’ studio? This residency began in the classroom with a painting workshop led by a professional icon painter. Then, students had the opportunity to see the impact of the artist’s work when they visited the local church where his icons cover the walls and ceilings. Seeing his work in-person inspired students to ask questions about the intention of the icons and their role in communicating narratives to parishioners, leading to deeper inquiry and insights.
By studying mosaics across time, students could put a local artist into the context of art history. The lesson also heightened awareness of mosaic art in their community. After a two-part residency (demonstration, interview), the artist and teacher devised an extension to create a large class mosaic. Students made individual leaves for The Collaboration Tree to reflect their own sense of cultural identity. They focused intently and worked hard together and with the artist. Creating a beautiful work as a team allowed them to realize that each of their contributions is important artistically and created a beautiful, meaningful outcome in the mosaic Collaboration Tree.
We love that this lesson builds on students’ interviewing skills over the course of two artist conversations. Students have a chance to think about follow-up questions based on what they retained from the first visit allowing their initial curiosity to deepen into inquiry.
By asking students to dig deeper than they usually might to consider their personal traditions and identities and sharing their responses with the artist, this teacher created a pathway to a deep connection between students and the artist. During their planning conversations, the teacher and the artist found similarities in their passions, drama and dance, and developed a close rapport. The teacher introduced the artist by asking students to read her Artist Statement and closely observe her Artist Portrait, which the artist developed during the summer workshop. This allowed them to inventory their assumptions and prepare questions.
Stepping is a dynamic, vital dance tradition that is widespread among African American fraternities and sororities. Many high schools have step teams. Other students may be unfamiliar with step dance, so learning about it—how to do basic steps—enriches all students.
Folk and traditional arts are a natural fit for the social studies classroom. They easily facilitate learning and conversations about diverse communities, both local and global. This residency demonstrates how music and social studies can dovetail. It also models how multiple subject areas–music, English Language Arts, and social studies– came together in a single artist residency. The tools of folklore–close listening, observation, interviewing–deepened student preparation for the residency and their engagement with the artists.
This activity uses a primary set source from the Library of Congress to model how documentation of the Covid-19 pandemic can amplify students’ voices. (A Journal of Folklore and Education resource.)
Our clothes are important cultural elements. We use them for many reasons. They are practical, fun symbols of our identity. Let’s find some surprises while exploring how we Dress to Express.
Access portraits portraying artists who have mastered their art forms through years of study with elders and family members and have received the NEA National Heritage Fellows award to learn more about the relationship between dress and culture. This unit includes classroom-ready exercises, worksheets for students to study their own fashion choices, and ideas for local research that connect learners with their community.
How would you feel if someone (outside your identity group) used your identity design references in a clothing line? What might change how you feel about this use?
What can art objects from distant times and places express about the identity of the people and the cultures depicted in them?
Photographs, like identity, hold multiple truths and illusions. Teaching visual literacy creates nuanced readings of meaning for, and about, the photographer, the subject, and the consumer. (A Journal of Folklore and Education resource.)
Mapmaking is a wonderful way to engage family members in looking closely at how each experiences where they live. Family members may discover that each sees their neighborhood differently, that one includes a place that the others never noticed, or that certain neighborhood spaces, such as a vacant lot, are valued by one and considered an eyesore by others.
This activity offers a creative way to interact with favorite folk songs. Follow these directions to tap into familiar folk songs and give them your own, unique spin by remixing them!
This Curriculum Guide represents one part of a three-year study engaging the 1921 Tulsa Race Massacre through primary sources. Included in these lesson plans and units of study are discoveries, tools for teaching, activity prompts, and deep pedagogical engagement from oral historians, cultural geographers, artists, historians, veteran teachers, and folklorists.
These lesson plans include timelines, local information, activities, and even recipes.
Games are fun to play at any age and tell us a lot about our families, friends, and communities. There are many cool ways to think about and study games.
Our beliefs about health and wellness are part of our personal and family folklore. Collecting cures, home remedies, and health sayings reveals how much a part of daily life our folklore about health is.
Local Learning’s virtual residencies with National Endowment for the Arts National Heritage Fellows take us into the communities and lives of master folk artists.
Local Learning’s virtual residencies with National Endowment for the Arts National Heritage Fellows take us into the communities and lives of master folk artists.
Local Learning’s virtual residencies with National Endowment for the Arts National Heritage Fellows take us into the communities and lives of master folk artists.
Local Learning’s virtual residencies with National Endowment for the Arts National Heritage Fellows take us into the communities and lives of master folk artists.
Local Learning’s virtual residencies with National Endowment for the Arts National Heritage Fellows take us into the communities and lives of master folk artists.
Face to face or distant, celebrations feature cultural elements that we find very meaningful, such as special foods, music, gifts, jokes, clothes. This activity invites you to relish the fun of celebrations by analyzing them and consider how celebrations during the pandemic are the same and different from how they usually occur.
By interviewing family and community members to document their stories, songs, crafts, and skills, we encounter deep local learning, which we can record and share in many ways. Visit our Inquiry Resources to go more in-depth!
Cemeteries may seem unlikely fieldtrip destinations, yet they offer intriguing clues about history and local culture and opportunities to conduct primary research and practice documentation skills such as note taking, sketching, and photography.
Consider a museum an important text that deserves careful reading. Before visiting a museum, inventory your assumptions about what you expect, even if you are familiar with the institution. Think about where it is, how it sits on the landscape, its relationship to the natural and built environments.
So much music surrounds us, we may not always be aware of it. This activity invites you to find and celebrate the music that you hear all around you—all around the year.
There is mystery in every job, even those of students, whose jobs are to study and contribute to school, family, and community life. How do we learn the secrets of doing a good job at our work? Folklife! Occupational culture is one of the dynamic areas of Folklore Studies. By closely observing work spaces and interviewing people about their work culture, we make fascinating discoveries.
This curriculum packet was designed for a Teaching with Primary Sources workshop titled “Oral History and Interpretation” offered by Local Learning in partnership with Vermont Folklife and Washington State Parks.
An historic folksong collection with local relevance to students gives them creative voice and connects them to place through an immersive, cooperative project. (A Journal of Folklore and Education resource.)
Use the Seasonal Round lesson plan to introduce students to your classroom or school culture, as well as their own. Students can learn about themselves, their families, their region, and the world by examining the seasonal round.
Everyone sings. This means everyone knows some songs. Singing alone or with others can make us feel playful, help us through tough times, and bring us together.
Local Learning Teaching with Primary Sources project team offers teaching tools and materials that engage the digitally available archival holdings of the American Folklife Center of the Library of Congress alongside local and regional collections, bringing them into conversation with each other to create a fuller, more complex narrative of American communities, history, and people.
Many people in the United States celebrate the national Thanksgiving holiday by sharing a special meal. Although there is a stereotype about turkey and dressing as the iconic meal, we all have different ideas about what foods we want on Thanksgiving Day. Turkey or tamales? Mashed potatoes or sweet potato casserole? Collard greens or green bean casserole? Pecan pie or apple pie? What would your favorite Thanksgiving meal include? Who would share the meal?
This activity invites you to think about how objects in your life have new uses and meanings.
How is the weaving and wearing of lau hala papale (hats) connected to Hawai’ian history, identity, natural resources, and culture?
This unit asks: What can students learn about themselves, their families, their region, and the world by examining the seasonal round in their own lives and through primary sources?
This activity will help you identify some of your important folk groups and traditional knowledge. You will then create a virtual background that may be used on Zoom or other meeting platforms as a way to share something about ourselves in these online spaces.